Nº. 1 of  1005

shinyslingback

My blog is a 'mish mash' of things that take my fancy. Please just click on the images to go to their links, i've added them wherever possible. Enjoy x

twinfawns:

Net by design collective Numen consists of multiple layers of flexible nets suspended in the air. The flat layers of the net are subsequently connected to one another on counterpoints thus forming a “floating landscape” open for visitors to climb in and explore. The result is an op-art social sculpture (or a community hammock) relating to topics of instability, levitation and regression. 

androphilia:

Amber Chair By Jaeuk Jung

androphilia:

Amber Chair By Jaeuk Jung

(via badasme)

“Goldfish Salvation” Riusuke Fukahori 深堀隆介 (by yfu1999)

7knotwind:

JORDAN EAGLESURBC | 2009 | 36” x 36” x 3” | Blood, copper preserved on plexiglass, UV resin Private Collection

7knotwind:

JORDAN EAGLES
URBC | 2009 | 36” x 36” x 3” | Blood, copper preserved on plexiglass, UV resin 

Private Collection

7knotwind:

JORDAN EAGLESBAR 1-9 | 2009 | 8’ x 32’ overall | Blood preserved on plexiglass, UV resin | Right side viewThe multi layers of blood and resin used to create this work, some which can be up to three inches thick, allow onlookers to delve into the painting. Each viewing allows the discovery of the nuances Jordan is able to create by manipulating his medium, such as delicate cracking to concentrated fields of uniformity. Color is also a central theme with ranges of rich browns to crimson reds, sometimes mixing metallic pigments, all issuing distinct luminosity to the work. 

7knotwind:

JORDAN EAGLES
BAR 1-9 | 2009 | 8’ x 32’ overall | Blood preserved on plexiglass, UV resin | Right side view

The multi layers of blood and resin used to create this work, some which can be up to three inches thick, allow onlookers to delve into the painting. Each viewing allows the discovery of the nuances Jordan is able to create by manipulating his medium, such as delicate cracking to concentrated fields of uniformity. Color is also a central theme with ranges of rich browns to crimson reds, sometimes mixing metallic pigments, all issuing distinct luminosity to the work. 

7knotwind:

JORDAN EAGLESPHASE (Detail) | 2008 | 36” x 36” x 3” | Blood preserved on plexiglass, UV resinPrivate Collection 

7knotwind:

JORDAN EAGLES
PHASE (Detail) | 2008 | 36” x 36” x 3” | Blood preserved on plexiglass, UV resin
Private Collection 

rerylikes:

Christopher Stevens. Leviathan, 2006. Pencil on paper,  25 x 35 cm
[thanks to darksilenceinsuburbia]

rerylikes:

Christopher Stevens. Leviathan, 2006. Pencil on paper,  25 x 35 cm

[thanks to darksilenceinsuburbia]

snowce:

Claudiu Cândea

snowce:

Claudiu Cândea

(via 7knotwind)

Jack Milroy 
Flight 4, 2007
cut and constructed inkjet print
185 x 102 x 32 cm

http://www.artfirst.co.uk/jack_milroy/flight4.html

Christie Blizard-
Light Compression-acrylic gouche on mylar, acetate
2007-2008-
www.christieblizard.com

Christie Blizard-

Light Compression-acrylic gouche on mylar, acetate

2007-2008-

www.christieblizard.com

drawingdetail:

Wendy Artin, Alex Bird, 2001. Watercolour on Fabriano Ingres paper, 70 x 34 cm.

drawingdetail:

Wendy Artin, Alex Bird, 2001. Watercolour on Fabriano Ingres paper, 70 x 34 cm.

angrywhistler:

Wendy Artin, Lilly Ma Che Vuoi, 1997. Watercolor on Arches watercolor paper, 10 x 10 in. 
 

angrywhistler:

Wendy Artin, Lilly Ma Che Vuoi, 1997. Watercolor on Arches watercolor paper, 10 x 10 in. 

 

(via drawingdetail)

looplikey:

white dream: incredible marble sculpture by Shinichi Hara

looplikey:

white dream: incredible marble sculpture by Shinichi Hara

archiemcphee:

Hungarian artist Fulop Gabor covered a female form in a swarm of tiny red and yellow ladybugs to create a literal and awesomely lovely piece entitled, you guessed it, Lady Bug.

[via My Modern Metropolis]

wrk-kevintownsend:

no title (in process)
double sided drawing on mylar, ink, graphite and gesso
KEVIN TOWNSEND | 2012 [aka SEVEN KNOT WIND]

(via 7knotwind)

Nº. 1 of  1005