May 7, 2013


Anish Kapoor - Void, 1989, fiberglass and pigment | More posts

May 1, 2013


Ron Mueck - Mask II (2001-2)

April 29, 2013


Via Grafik. Sooner or Later It All Falls Down.


April 29, 2013


Bio-light…light fixture that runs on bacteria.

(via 7knotwind)

April 28, 2013


Patrick Gallagher and Chris Klapper - Symphony in D Minor 

Video here.

(via abstraire-deactivated20140821)

April 19, 2013


Petroc Sesti: Élan Vital

April 19, 2013

Glass  sculpture by Mario Ceroli.


Glass  sculpture by Mario Ceroli.

(via artcomingoutofmyfists)

April 11, 2013


Stainless steel sculptures by Timo Nasseri

April 11, 2013


Yoko Ono & Arata Isozaki - Penal Colony (2004)

spring passes
and one remembers one’s innocence
summer passes
and one remembers one’s exuberance
autumn passes
and one remembers one’s reverence
winter passes
and one remembers one’s perseverance
there is a season that never passes
and that is the season of glass 

—Yoko Ono

March 22, 2013


John Powers creates geometric installations and sculptures that use simple blocks to form interesting patterns with depth and form. The zoomed in view of these pieces makes them look like more like computer generated images than tangible art. Powers states, “I very much like that my work looks digital, that it reflect my exposure to the technologies around me, but I like also that it is handmade out of base materials.”

(via ryandonato-deactivated20130922)

December 8, 2012

A Human Ant-Farm (by Snarkitecture)

Found Here

(Source: from89, via lustik)

December 8, 2012


Günther Uecker - Schrei (Scream), 2012

nails, white paint with glue on canvas on wood

78 3/4 × 63 in / 200 × 160 cm

December 3, 2012

Drip by Takashi Masubuchi

Takashi Masubuchi from the Tokyo University of the Arts used petroleum based paint products to create his graduation project Drip.

He created this sculpture with a gigantic cube of Styrofoam by slowly and carefully dripping black or white paint onto its surface. The acidic paint ate its way through the Styrofoam cubes and creates surreal organic forms.

December 3, 2012

Carrie Scanga

44’ x 32’ x 12’, painted tracing paper, drypoint on gampi, glue, string
Viewers enter this installation under a vaulted ceiling structure that is like an inverted honeycomb. Drypoint images hang from the walls. Visitors participate by inflating flat paper boxes with exhaled breath, inserting a written wish, and tying these to the ends of a strings hanging from the ceiling. Over the course of the exhibition, there is an accumulation of boxes in and around the golden canopy.

November 28, 2012


Anish Kapoor - 1,000 Names (1979-80)

(Source: likeafieldmouse)

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