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shinyslingback's art blog

My blog is a 'mish mash' of things that take my fancy. Please just click on the images to go to their links, i've added them wherever possible. Enjoy x

Posts tagged figurative:

PARK SOO YOUNG | bronze wire, fiber glass, lifecasting | 68 X 68 X 146 cm | 2008

PARK SOO YOUNG | bronze wire, fiber glass, lifecasting | 68 X 68 X 146 cm | 2008

devidsketchbook:

Sculptures by Willy Verginer - fiore di maggio

[via]

Thomas Houseago: What Went Down
Thomas Houseago has come to public prominence in recent years with his monumental, figurative sculptures that are charged with a remarkable energy and vitality. 
 Houseago works primarily with media that demonstrates a sensibility towards classical sculptural materials and processes; primitive, totemic sculptures are hewn from giant timbers, Hessian is slathered in plaster and crudely wrapped around steel armatures, and largescale, free-standing works are ambitiously cast in bronze. Houseago’s sculptures possess a daring urgency, a tactility and brute physicality that expose the process of their own making. The visible ‘touch’ and ‘imprint’ of the artist are nakedly evident: a fist of plaster is gauged out to create an eye socket, a deft chiselling of redwood to suggest a shoulder blade. 
Houseago’s work is unapologetic and relentless in its evocation of classical and modernist sculptural works. His somewhat crude and direct working belies a sophistication that is rich in a layering of cultural, mythological and art historical references. In a time of fast-pacedtechnological change, Houseago’s art takes on the psychological role of an awkward, unresolved reminder of the past – cumbersome and insistent in its emotional presence. 

Thomas Houseago: What Went Down

Thomas Houseago has come to public prominence in recent years with his monumental, figurative sculptures that are charged with a remarkable energy and vitality. 

 Houseago works primarily with media that demonstrates a sensibility towards classical sculptural materials and processes; primitive, totemic sculptures are hewn from giant timbers, Hessian is slathered in plaster and crudely wrapped around steel armatures, and largescale, free-standing works are ambitiously cast in bronze. Houseago’s sculptures possess a daring urgency, a tactility and brute physicality that expose the process of their own making. The visible ‘touch’ and ‘imprint’ of the artist are nakedly evident: a fist of plaster is gauged out to create an eye socket, a deft chiselling of redwood to suggest a shoulder blade. 

Houseago’s work is unapologetic and relentless in its evocation of classical and modernist sculptural works. His somewhat crude and direct working belies a sophistication that is rich in a layering of cultural, mythological and art historical references. In a time of fast-paced
technological change, Houseago’s art takes on the psychological role of an awkward, unresolved reminder of the past – cumbersome and insistent in its emotional presence. 


snowce:

Claudiu Cândea

snowce:

Claudiu Cândea

(via 7knotwind)

Sol Kjøk
www.solkjok.com
Strings Attached & Stitched with Its ColorOil and Pierre Noire2008-present96 “ x  72 “ 

Sol Kjøk

www.solkjok.com

Strings Attached & Stitched with Its ColorOil and Pierre Noire2008-present96 “ x  72 “ 
Sol Kjøk
www.solkjok.com
Casting Their Whirling ShadowGraphite, colored pencil, yarn and tissue paper on hand-cut paper20102410 “ x  18 “ 

Sol Kjøk

www.solkjok.com

Casting Their Whirling ShadowGraphite, colored pencil, yarn and tissue paper on hand-cut paper20102410 “ x  18 “ 
darksilenceinsuburbia:

Yeong-Deok Seo.
Korean artist Yeong-Deok Seo creates imposing figurative sculptures using tightly knit configurations of welded bicycle chains and industrial steel chains. While impressive in their intricacy and the apparent skill required to create them, the artwork’s titles such as Infection – Anguish, Infection – Ego, and Addict, suggest the rippled surface created by the materials is not an arbitrary decision. These are figures of individuals in dispair, pockmarked with disease, the chains acting as a metaphor for the human condition. See much more of Seo’s work spanning the past several years here. (By Christopher)

http://blog.naver.com/duck8383

darksilenceinsuburbia:

Yeong-Deok Seo.

Korean artist Yeong-Deok Seo creates imposing figurative sculptures using tightly knit configurations of welded bicycle chains and industrial steel chains. While impressive in their intricacy and the apparent skill required to create them, the artwork’s titles such as Infection – Anguish, Infection – Ego, and Addict, suggest the rippled surface created by the materials is not an arbitrary decision. These are figures of individuals in dispair, pockmarked with disease, the chains acting as a metaphor for the human condition. See much more of Seo’s work spanning the past several years here. (By Christopher)

http://blog.naver.com/duck8383

FOLKERT DE JONGGolden Smile - Eva, 2007BASF Styrodur, Austrotherm, polyurethane foam, Liquid plastic, artificial gemstones65 3/8 x 53 1/2 x 65 inches

FOLKERT DE JONG
Golden Smile - Eva, 2007
BASF Styrodur, Austrotherm, polyurethane foam, Liquid plastic, artificial gemstones
65 3/8 x 53 1/2 x 65 inches


YOU KNOW, 1995

Antony Gormley

YOU KNOW, 1995


BODY I, 2009
Many thanks to Julienfoulatier for this link.

Antony Gormley

BODY I, 2009

Many thanks to Julienfoulatier for this link.


In the sun
Sir Ivor Henry Thomas Hele, CBE (13 June 1912 - 2 December 1993)

In the sun

Sir Ivor Henry Thomas Hele, CBE (13 June 1912 - 2 December 1993)

(via medisina)

acertainshadeofyellow:

charcoal sketch (by koendecock)

acertainshadeofyellow:

charcoal sketch (by koendecock)

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